The Continental Divide that runs down the middle of the council chambers at the Mississauga Civic Centre is finally going to be fixed... just 18 years after the building was opened.
Anyone who's ever tried to meet someone at the chambers in City Hall knows about the Divide: the solid wood wall that runs along both sides of the well where the escalator is positioned in the middle of the room.
It effectively cuts off communication from one side of the chamber to the other. You can't even see if anybody's on the other side without walking up or down the stairs and taking a look.
More than one cynic has suggested it was part of a divide-and-conquer mentality that prevails among Hazel's coterie.
I remember architect Edward Jones explaining when the building opened that the escalator would bring the citizens of Mississauga from the main floor into the midst of the grand chamber on the second floor with its spectacular ceiling reflecting the stars in the spring Mississauga sky.
The podium where citizens addressed council from the middle of the chamber was to symbolize the fact that it is the ordinary citizen who is ultimately the centre of the political universe.Several hundred deputants who've addressed council over the years might have a different perspective, of course.
It was apparent from virtually the first day the chambers opened that the Great Wall was a problem. It has been in unnumerable capital budgets as a to-do project. Now it seems it is finally going to be fixed.
With the addition of two new wards and two new councillors for the November 2006 election, renovations are required. Two new offices must be added to the third-floor councillors' woe...er row...that connects directly to the chambers. Council meetings will likely be moved temporarily to the new provincial courthouse that the City is opening today at 950 Burnhamthorpe Rd. W. (the former Consumers' Gas building).
To accommodate the two new politicians around the council horseshoe, the City just has to add two more chairs.While the third floor renovation takes place, however, other changes will happen.
Those include making the council dais accessible for the first time by adding a ramp, improving the spotty sound system, and likely installing a new glass partition, or other see-through material, along the wall.
Good timing. Now all the potential candidates who be coming out of the woodwork to line up for the new ward 10 and ward 11 seats in the next few months can get a great view of each other's study habits.
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Healey's got that thing called zing
You know you're hearing a fascinating radio program when you pull into your driveway and turn your keys to Acc. and just keep listening. You hear one tune, and then you have to listen to just one more. Ten minutes later, the juice is still thawing in the grocery bags in your trunk.
Then when you finally do go inside the house, you have to fetch the portable radio and listen to the rest of the show while you work in the kitchen.
That happened to me Sunday morning as I listened to Jeff Healey's My Kinda Jazz on Jazz FM 91. As he is wont to do, Healey was pontificating on a subject close to his heart: why a lot of great Duke Ellington instrumentals were unnecessarily transformed into songs with lyrics.
He explained that a solo the superb alto saxophonist Johnny Hodges did on Duke's I Let a Song Go Out of My Heart inspired Duke to write Never No Lament, a wonderful vehicle for Hodge's moaning, sensual tone that somehow bypasses your brain and proceeds directly to your solar plexus.
Then lyrics were added and the number became Don't Get Around Much Anymore. I don't agree with Healey on this one. Seems to me we got three great songs out of this experience instead of one.
But that's not the point. The point is that Healey, a former Mississaugan who had to have the floors of his house specially reinforced to take the weight of all his albums, brings unbridled passion and a certain volatile edge to his program all the time. He not only plays records from his personal collection that you can't hear anywhere else but he is a kind of social historian, relating the styles of emerging music to the events and living conditions of the time that shaped the men who made the music. It's a great listen and a great education.
The show's on Monday at 9 p.m. and is repeated Sundays at 7 a.m. By the way, Healey's friend and band-mate Colin Bray also has a wonderful show called Sugarfoot Stomp on '20s-'40s jazz (which Healey originally hosted.) It runs on CIUT-FM 89.5 Thursdays at 5 p.m.